EXHIBITS & AWARDS

PAST GALLERY AFFILIATIONS

Comsky Gallery

Beverly Hills, CA

Arwin Gallery

Detroit, MI

Morgan Gallery

Kansas City, MI

La Magna Gallery

NY, NY

OK Harris

NY, NY

Genesis Galleries

NY & London

ACA Galleries

NY, NY

Fischbach Gallery

NY, NY

Seder-Creigh Gallery

San Diego, CA

Contemporary Arts

Santa Fe, NM

Gallery 5

Santa Fe, NM

Young Artists Cooperative

Santa Fe, NM

Mirrors of the Mind

Seattle, WA

Second Storey Gallery

Seattle, WA

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SOLO EXHIBITIONS

Elizabeth Wiener Gallery

New York, NY

1980

Millhouse Bundy Gallery

Waitsfield, VT

1980

Johnson Gallery

Middlebury College, VT

1979

Seder-Creigh Gallery

San Diego, CA

1976

Southwestern College Art Galleries

San Diego, CA

1976

La Magna Gallery

New York, NY

1975-76

Comsky Gallery

Beverly Hills, CA

1975

Downey Museum of Art

Los Angeles, CA

1975

University of California Art Galleries

Santa Barbara, CA

1974

Parnasus, University of Washington

Seattle, WA

1972

Second Storey Gallery

Seattle, WA

1972

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INVITATIONAL GROUP EXHIBITIONS

EXHIBITION NAME

LOCATION

CITY & STATE

YEAR

"Discoveries"

Everson Museum of Art

Syracuse, NY

1980

"The New Realism"

Dartmouth College

Dartmouth, NH

1980

"New Talent"

Genesis Gallery

NY, NY

1978

"8 California Artists"

Comsky Gallery

Beverly Hills, CA

1977

"Four Realists"

ACA Gallery

NY, NY

1977

"Gallery Artists"

Seder-Creigh Gallery

San Diego, CA

1977

"Varicose Friends"

Masonic Temple

San Diego, CA

1977

"Collector's Choice"

Comsky Gallery

Beverly Hills, CA

1976

"New Realism"

Mt. SAC Art Galleries, Mt. San Antonio College

Los Angeles, CA

1976

"October Exhibition"

Juror & Guest Artist, San Diego Art Institute

San Diego, CA

1976

"What's Happening in the LA Art Scene"

Comsky Gallery

Beverly Hills, CA

1976

Art Faculty Exhibition

San Diego State University

San Diego, CA

1976

"American Painters in Paris"

ARGRAF, C.I.P. Paris Convention Center

Paris, France

1975-76

New Artists

Los Angeles County Museum of Art

LA, CA

1975-76

Newport Museum of Art

 

Newport Beach, CA

1975-76

"Works on Paper"

Occidental College

Los Angeles, CA

1975

Art Faculty Exhibition

San Diego State University

San Diego, CA

1975

University of California Art Galleries

 

Santa Barbara, CA

1974

"Art Perspectives 73"

(international traveling exhibit)

London, England

1973

Graduate Exhibition

University of California Art Galleries

Santa Barbara, CA

1973

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COMPETITIVE EXHIBITIONS

EXHIBITION NAME

LOCATION

CITY & STATE

YEAR

"Art for 1976"

Southern California Expo Art

Del Mar, CA

1976

ERA All Media Juried Exhibition

ERA Gallery

Escondido, CA

1976

15th Annual La Mirada Fiesta de Artes

 

La Mirada, CA

1976

Pasadena Festival of the Arts

First Annual Juried Art Show

Los Angeles, CA

1976

Inland Exhibition XII

 

San Bernardino, CA

1976

San Diego Fine Arts Guild All Media Exhibition

Fine Arts Museum

San Diego, CA

1976

San Diego Art Institute

23rd Annual Art Exhibition

San Diego, CA

1976

14th Annual All California Award Show

Jewish Community Center

San Diego, CA

1976

California-Hawaii Biennial

San Diego Fine Arts Museum

San Diego, CA

1976

Southwest Fine Arts Biennial

New Mexico Fine Arts Museum

Santa Fe, NM

1976

40th Annual Santa Paula Art Exhibit

 

Santa Paula, CA

1976

"Art for 1975"

Southern California Expo Art

Del Mar, CA

1975

21st All California Show

Laguna Beach Museum of Art

Laguna Beach, CA

1975

23rd All City Arts Festival

L.A. Municipal Arts Gallery

Los Angeles, CA

1975

17th Annual Art Unlimited

Downey Museum of Art

Los Angeles, CA

1975

La Mirada 14th Annual Fiesta de Artes

La Mirada

Los Angeles, CA

1975

"American Painters in Paris"

C.I.P. Paris Convention Center

Paris, France

1975

Art Expo

California State Exposition

Sacramento, CA

1975

Inland Exhibition XI

 

San Bernardino, CA

1975

13th Annual All California Award Show

Jewish Community Center

San Diego, CA

1975

"Art for 1974"

Southern California Expo Art

Del Mar, CA

1974

International Artist of the Year Competitions

Huntington Beach

Los Angeles, CA

1974

MPAA Annual Open Art Competition

 

Los Angeles, CA

1974

Buena Park Annual Arts Festival

 

Los Angeles, CA

1974

All California Exhibition

Palos Verdes Museum

Los Angeles, CA

1974

Traditional Artists Show

 

San Bernardino, CA

1974

Inland Exhibition X

 

San Bernardino, CA

1974

Grand Galleria

3rd Annual National Art Competition

Seattle, WA

1974

7th Annual Conejo Valley Arts Festival

 

Thousand Oaks, CA

1974

National Orange Show Art Exhibition

 

San Bernardino, CA

1973

Edmonds Annual Arts Fair

 

Edmonds, WA

1971

Drawing and Painting Exhibition

University of Washington

Seattle,WA

1971

Art Trap

 

Seattle,WA

1971

25th Annual Pacific Northwest Arts Exhibition

 

Seattle,WA

1971

Burien Annual Arts and Crafts Festival

 

Seattle,WA

1971

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EXHIBITION AWARDS

EXHIBITION

AWARD

CITY & STATE

YEAR

"Art for 1976"

 

Best of Show

 

1976

Southern California Expo Art

 

Del Mar, CA

1976

Pasadena Festival of the Arts

First Annual Juried Art Show

Second Prize

Los Angeles, CA

1976

San Diego Art Institute

23rd Annual Art Exhibition

Second Prize

San Diego, CA

1976

California-International Artist of the Year Award

 

Best of Show, First Prize

 

1975

"Art for 1975"

Southern California Art Expo

Second Prize

Del Mar, CA

1975

"Art for 1974"

Southern California Expo Art

First Prize & Honorable Mention

Del Mar, CA

1974

California-International Artist of the Year Competitions

 

Third Prize

Huntington Beach, CA

1974

17th Annual Art Unlimited

Downey Museum of Art

First Prize & Purchase Award

Los Angeles, CA

1974

MPAA Annual Art Competition

Monterey Park

Best of Show

Los Angeles, CA

1974

Edmonds Annual Arts Fair

 

Juror's Choice

Edmonds, WA

1971

Art Trap

 

Best of Show

Seattle, WA

1971

Burien Annual Arts and Crafts Festival

 

First Prize

Seattle, WA

1971

25th Annual Pacific Northwest Art Exhibition

 

Best of Show & First Prize

Seattle, WA

1971

University of Washington Drawing and Painting Exhibition

 

Highest Award

Seattle, WA

1970

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Letter From Mark Rendleman

Lynn Magruder
Grants Coordinator
New Mexico Arts Division
Santa Fe, N.M. 87501


Dear Lynn,
     After speaking to you about developing a more current resume of my non-painting activities I began looking back through my notebooks and collected memorabilia to remember what I have been doing. I quickly became overwhelmed. I have put so much energy into keeping up with my creative desires that keeping track of them was the last thing on my mind. (My last painting resume, the one I sent to you, only exists because I was pursuing my teaching career and I had a friend who was good enough to keep track of such things.) I have worked hard at not holding on to non- productive memories. Dates, places, and even names have become obscured. Even more frustrating for assembling such a resume is assigning a relative value to the various activities. What I remember as significant may seem insignificant to others. I can drop names and relate various associations that might impress someone knowledgeable in the performance, video, film, or music world, since most of the work is cooperative and associations are inherent. But what I would define as significant is most probably obscure except to those who have shared the experiences, as audience or participants. And most of what I have been doing I have stopped calling Art, partly because the contexts in which my work gets presented ie. nightclubs, theatres, a church, a convention center, and TV. It also seems unfair to claim as my art that in which so many have participated. I have been most fulfilled as a facilitator, a coordinator, and hopefully a teacher. I have always been uncomfortable with general or public recognition regarding my personal work. What remains most important to me is my education, the general expansion of knowledge and human experience, and what I can give to others, not the recognition my products or even a particular audience at this point.
     Excuse me for becoming so personal, but my consideration of doing a resume has been an involving experience that has led me back through my past, a place I have left behind. One of my realizations has been that perhaps I may not be a suitable nominee at this point (particularly if a formal current resume is essential). I had hoped to be of some service, but there are other times and opportunities. In the mean time, I have become intrigued with the idea of doing a current resume, to put my life in perspective, so when I have the time I will indulge in having the information tracked down. However it will take at least a few weeks, especially to get dates, so for now I will make an attempt to give you a general brief of my non-painting, or non-art/academic experiences :

  • Early 1970's - Work published on visual perception. Bausch-Lomb Award. Prize for paper on visual illusions.
  • Mid 1970's- Formed MER Arts Corporation for the creative development of others. Later this branched into MER Art Services for creative and professional media development, primarily in film and then video. Finished first films including "Home", "To and From", and "Evolution of the Image"(a teaching film).
  • 1975-77 - Various performance art pieces and multi-media events, primarily in San Diego, California.
  • 1977-1982 - Various performance art pieces on East coast (primarily Vermont and New York) including "The Image", "The Maul Dancer", "Who Stole Art?" and "Why Now?". Edited and published book "Continuous Nonsense and Other Fantasy Sources". Completed several films and videos including "Coast to Coast", "The Rafts of Gods", a couple documentaries on art process, several commissioned dance performance videos and rock music videos (pre-MTV). Also commercial art consultant work for channel 3 TV, Vermont.
  • 1978- Made my first million dollars (primarily through investing). I mention this because it may be the most important application of my art and perceptions, and certainly suggests why I have been able to be so generous and do what I have done with Art.
  • 1979-80's - Formed The Alibi, Inc. for the development of performance arts as entertainment (making art accessible). Developed real estate, Starr Mill, (purchased, designed, and renovated an old mill into a performing art center, night club, theatre, gallery/restaurant and sales). Began art networking group for promotion of new art, primarily new music.
  • Early 80's - Began working with sound/experimental music, initially for film tracks then for commissioned dance and theatre pieces. Member of "R.E.D." (Radical Entertainment Development) a new music and video performance group (including Ottmar & Stefan Liebert) based in Boston that produced 3 records and several videos. Also performed with "Working Unit" initially from France, then Los Angeles, and now New York known as "Soma Holiday", combining new music, dance, art performance and video. Most presentations made in clubs such as: the Pyramid, 8BC, and the Ritz in New York; the Channel and S.P.I.T. in Boston; and L.H.A.S.A and Club Lingerie in Los Angeles, working with various artists and groups. Worked as art consultant or videographer on several music videos and experimental films.


     Most of what I have done over the past few years has been for the fulfillment of other people's desires. The products usually have not met my personal standards for which I would want to accept credit. The above outline is intended only as a reference for the kind of experiences in which I have been involved. These experiences have been valuable with regard to committee work since they have generally involved a high degree of cooperative effort.
Thank you for your interest and considerations.

Sincerely,
Mark Rendleman

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